ALL-NEW ULTIMATES #1
MICHEL FIFFE (W) • AMILCAR PINNA (A)
COVER BY DAVID NAKAYAMA
VARIANT BY DAVID MARQUEZ
THE NEXT GENERATION OF ULTIMATES IS HERE!!!
• SPIDER- MAN, BLACK WIDOW, KITTY PRYDE, BOMBSHELL, CLOAK & DAGGER officially unite to tackle the vicious, rampant crime wave overtaking Hell’s Kitchen!
• DIAMONDBACK leads the teen gang, the SERPENT SKULLS, as they run West Midtown’s drug and weapons trade & deal in murderous citywide terror!
• Detective Brigid O’Reilly and her anti- gang unit are on the hunt for a serial mask killer called SCOURGE; they get close but not without some casualties!
• Written by Michel Fiffe, the creator of the acclaimed indie series COPRA
32 PGS./Rated T+ …$3.99
if I wanted the entire internet to know why i would have posted why in the first place
IT’S NEVER YOU CHARLIE YOU’RE MY FAVORITE BEAN
roses, blackberries, and honeybees. thanks greta!
really disliking someone but u have a lot of mutual friends with them
Check it out, it’s Bruce Wayne and Dick Grayson.
the moral of the secret history is don’t hang around upper class college kids with a penchant for pretension because they will literally kill you
it says a lot that all it takes is for a show to /not/ have a guy take advantage of a vulnerable girl for me to go YEAH AWESOME WAY TO GO SHOW
Comic Movie Teaser Trailers ⇢ The Ultimate Spider-Man
what do you call a wolf that is lost?
do you ever use a pen and you’re just blown away by how smoothly it glides across the page and how the ink flows out so beautifully like tears of jesus or something
a curse i cannot lift | a remus lupin fanmix, songs about being a beast at the night and trying to heal the scars by the morning
listen ✧ download | i. you’re a wolf - sea wolf ii. how soon is now? - the smiths iii. numb as the winter - chelsea wolfe iv. promise - cocorosie v. help me lose my mind - disclosure ft. london grammar vi. providence - foals vii. blood red moon - the xx viii. wandering star - poliça ix. a boy lke me - patrick wolf x. two men in love - the irrepressibles xi. the wolves - ben howard xii. skulls - bastille
Okay, okay, I’m going to tell you what Hermione sees in Ron.
A trio is a balancing act, right? They’re equalizers of each other. Harry’s like the action, Hermione’s the brains, Ron’s the heart. Hermione has been assassinated in these movies, and I mean that genuinely—by giving her every single positive character trait that Ron has, they have assassinated her character in the movies. She’s been harmed by being made to be less human, because everything good Ron has, she’s been given.
So, for instance: “If you want to kill Harry, you’re going to have to kill me too”—RON, leg is broken, he’s in pain, gets up and stands in front of Harry and says this. Who gets that line in the movie? Hermione.
“Fear of a name increases the fear of the thing itself.” Hermione doesn’t say Voldemort’s name until well into the books—that’s Dumbledore’s line. When does Hermione say it in the movies? Beginning of Movie 2.
When the Devil’s Snare is curling itself around everybody, Hermione panics, and Ron is the one who keeps his head and says “Are you a witch or not?” In the movie, everybody else panics and Hermione keeps her head and does the biggest, brightest flare of sunlight spell there ever was.
So, Hermione—all her flaws were shaved away in the films. And that sounds like you’re making a kick-ass, amazing character, and what you’re doing is dehumanizing her. And it pisses me off. It really does.
In the books, they balance each other out, because where Hermione gets frazzled and maybe her rationality overtakes some of her instinct, Ron has that to back it up; Ron has a kind of emotional grounding that can keep Hermione’s hyper-rationalness in check. Sometimes Hermione’s super-logical nature grates Harry and bothers him, and isn’t the thing he needs even if it’s the right thing, like when she says “You have a saving people thing.” That is the thing that Harry needed to hear, she’s a hundred percent right, but the way she does it is wrong. That’s the classic “she’s super logical, she’s super brilliant, but she doesn’t know how to handle people emotionally,” at least Harry.
So in the books they are this balanced group, and in the movies, in the movies—hell, not even Harry is good enough for Hermione in the movies. No one’s good enough for Hermione in the movies—God isn’t good enough for Hermione in the movies! Hermione is everybody’s everything in the movies.
Harry’s idea to jump on the dragon in the books, who gets it in the movies? Hermione, who hates to fly. Hermione, who overcomes her withering fear of flying to take over Harry’s big idea to get out of the—like, why does Hermione get all these moments?
[John: Because we need to market the movie to girls.]
I think girls like the books, period. And like the Hermione in the books, and like the Hermione in the books just fine before Hollywood made her idealized and perfect. And if they would have trusted that, they would have been just fine.
Would the movies have been bad if she was as awesome as she was in the books, and as human as she was in the books? Would the movies get worse?
She IS a strong girl character. This is the thing that pisses me off. They are equating “strong” with superhuman. To me, the Hermione in the book is twelve times stronger than the completely unreachable ideal of Hermione in the movies. Give me the Hermione in the book who’s human and has flaws any single day of the week.
Here’s a classic example: When Snape in the first book yells at Hermione for being an insufferable know-it-all, do you want to know what Ron says in the book? “Well, you’re asking the questions, and she has to answer. Why ask if you don’t want to be told?” What does he say in the movie? “He’s got a point, you know.” Ron? Would never do that. Would NEVER do that, even before he liked Hermione. Ron would never do that."
Adapt to this
LET ME JUST POINT OUT THE VARIOUS FLAWS OF LOGIC HERE. FIRST OF ALL DARWINS POWER IS TO LITERALLY ADAPT TO ANYTHING IN THE EFFING UNIVERSE. HIS POWERS DEEMED IT TOO DANGEROUS TO FIGHT THE HULK AND TELEPORTED HIM TO ANOTHER COUNTRY. HE ONCE BECAME PURE COSMIC EFFING ENERGY AND SHORTLY AFTER REMATERIALIZED AS A HUMAN BEING TO PREVENT HIS DEATH. DARWIN IS LITERALLY INEFFINGVINCIBLE. AND YOU MEAN TO TELL ME THAT A PATHETIC BALL OF KINETIC ENERGY FROM SEBASTIAN SHAW MERKS HIM?!?!?! THEY OBVIOUSLY ARE OUT TO KILL THE BLACK MAN IN THE PLOT AND LITERALLY WROTE THIS SCENE WITH NO REGARDS TO DARWINS POWERS WHATSOEVER AND ITS FRUSTRATING THAT THEY WOULD GO OUT OF THEIR WAY TO KILL HIM OFF LIKE THAT
I’m saying. Even in sci fi we ain’t safe
in my headcanon darwin literally became a being of energy and ascended to another plain of existence so he doesn’t have to deal with anymore of this white nonsense
Even in Scifi? We not safe in real life.
thank you I’ve been saying this for the longest!!!!! He is a damn omega level mutant, meaning in the movie he would be a class 5! Dude even adapted into a God and became the God of Death! Dude was college educated in the comics and they made him a taxi driver…like Black folks weren’t educated in the 70’s. And they didn’t even acknowledge that he was an Afro Latino…his name is Armando Munoz, he’s one of the few Afro latino superheros and they did him so dirty.
A movie that’s a metaphor for prejudice/racism/etc did the black guy dirty.